I have been looking at designing my own tattoo and I would like one
that has some meaning but is abstract. I think I want something that
means something that is relevant to me that is neither a picture nor in
writing.
I started out looking at Japanese and Chinese sayings and symbols. I
like the Yin and Yang symbol best but it is really common - so many
people have one and some of the designs I saw were fabulous ... but not
quite unique enough for what I was seeking. I then had a look at
different types of symbols from science and from history. I looked at
hieroglyphs and Greek symbols but nothing quite hit the spot.
One day, as I was surfing the web, I came
across something familiar. It was familiar because I had a framed piece
of cotton fabric I thought was batik on my wall with the same markings.
As I read further, I found out that these markings were Adinkra symbols
of the Akan culture in West Africa.
The Adinkra symbols represent sayings and record historical events. The
printed fabric is used for funerals as 'adinkra' means 'goodbye'. This
method of fabric 'language' is one of several traditional cloths
produced by the Asante in the region - another being the royal Kente.
Adinkra symbols are used on anything and everything, imbuing clothes,
vehicles, commercial products, pottery and even buildings with added
significance. As I read more about the symbology and the meanings
behind the symbols, I realised that the subtlety and secretive
communication really appealed to me and I knew I had found the tattoo
language I had been seeking. Now to find the right symbol for me...
Each Adinkra symbol has a unique name and meaning derived either from a
proverb, a historical event, human attitude, animal behavior, plant
life, forms and shapes of inanimate and man-made objects. The meanings
of the motifs cover just about every aspect of life and living.
The most popular motif is called 'Gye Naame' which literally translates
to 'except God'. To the Akan, it means "I fear no one, except God" and
exemplifies the belief in one all powerful, all seeing and all knowing
God. The symbol is beautiful in its simplicity, something true of most
of the Adinkra symbols. The Gye Nyaame Adinkra symbol is the one I
chose in the end, I will have it inked just over my left shoulder blade
because it reminds me of the old blessing: 'May God be on your
shoulder'.
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Zac Efron wears an Ed Hardy T-shirt in "17 Again" and I saw several guys in bands at SXSW also wearing the $65 shirts emblazoned with the big Ed Hardy signature over some vintage tattoo design. Even Madonna and Elizabeth Taylor have been photographed in Hardywear.
It's ironic that Hardy's art (and designer Christian Audigier's marketing savvy) has become such a hit in the clothing trade. First off, Hardy has long been an "art first" hard-liner who scoffed at the creeping commercialism of tattooing. Then there was the day, 25 years ago, Hardy sent a couple T-shirt designs to Mr. Lucky T-Shirts, where I worked, at 2712B Guadalupe St. We sent 'em right back, with a shake of the head, Hardy was always a bit too cool for the room. I only remember one of the designs. It was a ferocious shark/German shepherd mix snarling under the words "Jesus Eater." Now who would wear that?
I've known Don Ed Hardy, who's generally regarded as the greatest living tattoo artist, since I was 19 years old, but that's not to say we're good friends. I was tight with people in the tattoo world that Hardy respected and so I was just the kid that was always around.
But being friends with Kate Hellenbrand, my first editor, and her then-boyfriend Michael Malone, meant that I heard a lot about Hardy through the years. He was the guy who took his lead from Sailor Jerry and popularized Japanese-styled backpieces and sleeves in the U.S.
Before Sailor Jerry died in 1973 he instructed his family to sell his shop at 1033 Smith St. in Honolulu to one of only three people: Ed Hardy, Zeke Owens or Michael Malone. Jerry couldn't stand the idea of some hack working in his tiny shop, and those three were the rising stars of the trade.
Hardy ended up going to Japan to study under the masters such as Horiyoshi. Owens kept his shop in San Diego. And Malone bought Sailor Jerry's business, which came with hundreds of sheets of Jerry's original flash (tattoo designs) that now sell for about $3,000 each.
Hardy and Malone, who passed away last year, were great friends and mutual admirers, but they'd have fallings out every few years, which is not rare in the tattoo business. Hardy was more naturally gifted, a true artiste, while Malone worked street level and told better stories. The two had their own language, built around countless hours waiting in "the scab hut" for military payday. If one called the other when business was nonexistent and asked what was up, the answer would be "just talking to the panthers," in reference to the black designs on the walls. A customer who passed out during a tattoo was a "mighty hawk." This comes from the time Malone tattooed a rather boastful customer who wanted "'The Mighty Hawk" on his arm. About halfway through the M, the guy got clammy and took a flop. Malone stood over him and said "'Mighty Hawk, get up Mighty Hawk. Are you OK Mighty Hawk?" Old-line tattooists have hundreds of stories like that.
Although Hardy was the first tattooist to charge $100 an hour for his work, he was always more into furthering the art than banking big bucks. Without any mathematical chance of making money, Hardy and his partners rented the entire Queen Mary 2, anchored in Long Beach, Calif., for the Tattoo Expo '82. All the greatest tattoo artists in the world were there, many meeting for the first time.
Hardy and his wife, Fran, also happily broke even in the '80s, publishing Tattootimes, an absolutely gorgeous magazine that featured some of the best work being done at the time. Thanks to Hardy's efforts, tattooing started to be thought of as a higher art. But the old rules still applied.
It used to be the only way to become a tattoo artist was to apprentice for a working tattooist, who would pass on the tricks of the trade in exchange for having a student/flunky for about a year.
Like all the other established tattoo artists of the time, Hardy hated any shortcuts from that path. He was disturbed by the easier access to tattooing supplies and guidance.
Usually you strive to be in on the ground floor of a business that explodes in popularity, as tattoos have in the past decade. But many of the old guys, who considered tattooing a secret society, were like the Mafia veterans who refused to get into the heroin business back in the '50s. There was a code of honor among the pirates.
Ed Hardy has retired from tattooing, one of the few art forms you can't do alone (unless you tattoo yourself, which is not recommended), though he still owns his shop in San Francisco. And he gets those hefty royalty checks from Christian Aubigier, who licensed Ed Hardy's artwork in 2004 after he left the Von Dutch brand. There are currently 27 Ed Hardy clothing stores all over the world. Business Week recently estimated that Hardy's haul is "likely in the millions of dollars." Good for him.
Still, it's kind of hilarious to see Paris Hilton or Ashton Kutcher slipping past the velvet rope wearing a design Hardy tattooed on a drunken sailor 35 years ago.
But his clothing line is a fad that will eventually go the way of
trucker hats.What will be next? Don't be surprised if you one day see
Britney Spears stepping out of a limo wearing a T-shirt that says
"Jesus Eater." Twenty-five years later, the world could be ready.
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